'%3E%3Ctitle%3Efilm%3C%2Ftitle%3E%3Cpath%20d%3D'M6.848%2028.576v-2.304q0-0.448-0.32-0.8t-0.8-0.32h-2.304q-0.448%200-0.8%200.32t-0.352%200.8v2.304q0%200.448%200.352%200.8t0.8%200.352h2.304q0.448%200%200.8-0.352t0.32-0.8zM6.848%2021.728v-2.304q0-0.448-0.32-0.8t-0.8-0.352h-2.304q-0.448%200-0.8%200.352t-0.352%200.8v2.304q0%200.448%200.352%200.8t0.8%200.32h2.304q0.448%200%200.8-0.32t0.32-0.8zM6.848%2014.848v-2.272q0-0.48-0.32-0.8t-0.8-0.352h-2.304q-0.448%200-0.8%200.352t-0.352%200.8v2.272q0%200.48%200.352%200.8t0.8%200.352h2.304q0.448%200%200.8-0.352t0.32-0.8zM25.152%2028.576v-9.152q0-0.448-0.352-0.8t-0.8-0.352h-13.728q-0.448%200-0.8%200.352t-0.32%200.8v9.152q0%200.448%200.32%200.8t0.8%200.352h13.728q0.48%200%200.8-0.352t0.352-0.8zM6.848%208v-2.272q0-0.48-0.32-0.832t-0.8-0.32h-2.304q-0.448%200-0.8%200.32t-0.352%200.832v2.272q0%200.48%200.352%200.8t0.8%200.352h2.304q0.448%200%200.8-0.352t0.32-0.8zM32%2028.576v-2.304q0-0.448-0.352-0.8t-0.8-0.32h-2.272q-0.48%200-0.8%200.32t-0.352%200.8v2.304q0%200.448%200.352%200.8t0.8%200.352h2.272q0.48%200%200.8-0.352t0.352-0.8zM25.152%2014.848v-9.12q0-0.48-0.352-0.832t-0.8-0.32h-13.728q-0.448%200-0.8%200.32t-0.32%200.832v9.12q0%200.48%200.32%200.8t0.8%200.352h13.728q0.48%200%200.8-0.352t0.352-0.8zM32%2021.728v-2.304q0-0.448-0.352-0.8t-0.8-0.352h-2.272q-0.48%200-0.8%200.352t-0.352%200.8v2.304q0%200.448%200.352%200.8t0.8%200.32h2.272q0.48%200%200.8-0.32t0.352-0.8zM32%2014.848v-2.272q0-0.48-0.352-0.8t-0.8-0.352h-2.272q-0.48%200-0.8%200.352t-0.352%200.8v2.272q0%200.48%200.352%200.8t0.8%200.352h2.272q0.48%200%200.8-0.352t0.352-0.8zM32%208v-2.272q0-0.48-0.352-0.832t-0.8-0.32h-2.272q-0.48%200-0.8%200.32t-0.352%200.832v2.272q0%200.48%200.352%200.8t0.8%200.352h2.272q0.48%200%200.8-0.352t0.352-0.8zM34.272%205.152v24q0%201.184-0.832%202.016t-2.016%200.832h-28.576q-1.152%200-2.016-0.832t-0.832-2.016v-24q0-1.184%200.832-2.016t2.016-0.864h28.576q1.184%200%202.016%200.864t0.832%202.016z'%2F%3E%3C%2Fsvg%3E)
Female Trouble Productions
'%3E%3Ctitle%3Ecamera-retro%3C%2Ftitle%3E%3Cpath%20d%3D'M16.576%2014.848q0-0.256-0.16-0.416t-0.416-0.16q-1.184%200-2.016%200.864t-0.832%202.016q0%200.256%200.16%200.416t0.416%200.16%200.384-0.16%200.16-0.416q0-0.736%200.512-1.216t1.216-0.512q0.256%200%200.416-0.16t0.16-0.416zM20.576%2017.184q0%201.888-1.344%203.232t-3.232%201.344-3.232-1.344-1.344-3.232%201.344-3.232%203.232-1.344%203.232%201.344%201.344%203.232zM2.272%2027.424h27.456v-2.272h-27.456v2.272zM22.848%2017.184q0-2.848-1.984-4.864t-4.864-1.984-4.832%201.984-2.016%204.864%202.016%204.832%204.832%202.016%204.864-2.016%201.984-4.832zM4.576%205.728h6.848v-2.304h-6.848v2.304zM2.272%209.152h27.456v-4.576h-14.784l-1.152%202.272h-11.52v2.304zM32%204.576v22.848q0%200.96-0.672%201.632t-1.6%200.672h-27.456q-0.928%200-1.6-0.672t-0.672-1.632v-22.848q0-0.96%200.672-1.632t1.6-0.672h27.456q0.928%200%201.6%200.672t0.672%201.632z'%2F%3E%3C%2Fsvg%3E)
25. jul, 2018
The Dark Side of Dick Bruna
A focus on the Dutch Miffy creator's alternative visual language. Between 1955 and 1970 he designed more than 2000 covers for crime stories and other thrillers in the Zwarte Beertjes series of paperbacks. The more than 350 book covers, sketches, posters and collages in the exhibition in the Kunsthal in Rotterdam reveal Dick Bruna's craftsmanship and eye for narrative.
Meest recente reacties
10.01 | 09:55
Wally zat destijds in de Dienst NoodOpvang (DNO) en wilde op deze manier aan een baan komen.
Deel deze pagina
