'%3E%3Ctitle%3Efilm%3C%2Ftitle%3E%3Cpath%20d%3D'M6.848%2028.576v-2.304q0-0.448-0.32-0.8t-0.8-0.32h-2.304q-0.448%200-0.8%200.32t-0.352%200.8v2.304q0%200.448%200.352%200.8t0.8%200.352h2.304q0.448%200%200.8-0.352t0.32-0.8zM6.848%2021.728v-2.304q0-0.448-0.32-0.8t-0.8-0.352h-2.304q-0.448%200-0.8%200.352t-0.352%200.8v2.304q0%200.448%200.352%200.8t0.8%200.32h2.304q0.448%200%200.8-0.32t0.32-0.8zM6.848%2014.848v-2.272q0-0.48-0.32-0.8t-0.8-0.352h-2.304q-0.448%200-0.8%200.352t-0.352%200.8v2.272q0%200.48%200.352%200.8t0.8%200.352h2.304q0.448%200%200.8-0.352t0.32-0.8zM25.152%2028.576v-9.152q0-0.448-0.352-0.8t-0.8-0.352h-13.728q-0.448%200-0.8%200.352t-0.32%200.8v9.152q0%200.448%200.32%200.8t0.8%200.352h13.728q0.48%200%200.8-0.352t0.352-0.8zM6.848%208v-2.272q0-0.48-0.32-0.832t-0.8-0.32h-2.304q-0.448%200-0.8%200.32t-0.352%200.832v2.272q0%200.48%200.352%200.8t0.8%200.352h2.304q0.448%200%200.8-0.352t0.32-0.8zM32%2028.576v-2.304q0-0.448-0.352-0.8t-0.8-0.32h-2.272q-0.48%200-0.8%200.32t-0.352%200.8v2.304q0%200.448%200.352%200.8t0.8%200.352h2.272q0.48%200%200.8-0.352t0.352-0.8zM25.152%2014.848v-9.12q0-0.48-0.352-0.832t-0.8-0.32h-13.728q-0.448%200-0.8%200.32t-0.32%200.832v9.12q0%200.48%200.32%200.8t0.8%200.352h13.728q0.48%200%200.8-0.352t0.352-0.8zM32%2021.728v-2.304q0-0.448-0.352-0.8t-0.8-0.352h-2.272q-0.48%200-0.8%200.352t-0.352%200.8v2.304q0%200.448%200.352%200.8t0.8%200.32h2.272q0.48%200%200.8-0.32t0.352-0.8zM32%2014.848v-2.272q0-0.48-0.352-0.8t-0.8-0.352h-2.272q-0.48%200-0.8%200.352t-0.352%200.8v2.272q0%200.48%200.352%200.8t0.8%200.352h2.272q0.48%200%200.8-0.352t0.352-0.8zM32%208v-2.272q0-0.48-0.352-0.832t-0.8-0.32h-2.272q-0.48%200-0.8%200.32t-0.352%200.832v2.272q0%200.48%200.352%200.8t0.8%200.352h2.272q0.48%200%200.8-0.352t0.352-0.8zM34.272%205.152v24q0%201.184-0.832%202.016t-2.016%200.832h-28.576q-1.152%200-2.016-0.832t-0.832-2.016v-24q0-1.184%200.832-2.016t2.016-0.864h28.576q1.184%200%202.016%200.864t0.832%202.016z'%2F%3E%3C%2Fsvg%3E)
Female Trouble Productions
'%3E%3Ctitle%3Ecamera-retro%3C%2Ftitle%3E%3Cpath%20d%3D'M16.576%2014.848q0-0.256-0.16-0.416t-0.416-0.16q-1.184%200-2.016%200.864t-0.832%202.016q0%200.256%200.16%200.416t0.416%200.16%200.384-0.16%200.16-0.416q0-0.736%200.512-1.216t1.216-0.512q0.256%200%200.416-0.16t0.16-0.416zM20.576%2017.184q0%201.888-1.344%203.232t-3.232%201.344-3.232-1.344-1.344-3.232%201.344-3.232%203.232-1.344%203.232%201.344%201.344%203.232zM2.272%2027.424h27.456v-2.272h-27.456v2.272zM22.848%2017.184q0-2.848-1.984-4.864t-4.864-1.984-4.832%201.984-2.016%204.864%202.016%204.832%204.832%202.016%204.864-2.016%201.984-4.832zM4.576%205.728h6.848v-2.304h-6.848v2.304zM2.272%209.152h27.456v-4.576h-14.784l-1.152%202.272h-11.52v2.304zM32%204.576v22.848q0%200.96-0.672%201.632t-1.6%200.672h-27.456q-0.928%200-1.6-0.672t-0.672-1.632v-22.848q0-0.96%200.672-1.632t1.6-0.672h27.456q0.928%200%201.6%200.672t0.672%201.632z'%2F%3E%3C%2Fsvg%3E)
7. jul, 2014
American Film Editor Blanche Sewell
Some examples of her work: The Wizard of Oz, Red Dust, The Pirate, Queen Christina, Take Me Out To The Ball Game & Du Barry Was A Lady
Meest recente reacties
10.01 | 09:55
Wally zat destijds in de Dienst NoodOpvang (DNO) en wilde op deze manier aan een baan komen.
Deel deze pagina
